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Recently I completed the two portraits shown here using colored pencil on a smooth sanded paper designed for pastels. I hadn’t spent a lot of time working with sanded paper before, but these two portraits have convinced me that there are some definite benefits to working on this surface.
I find it very easy to work quickly, and the color goes on smoothly and can be smudged like pastels. This can be very desirable for achieving smooth skin textures; very appropriate for women and children. Also, I also find that this surface is very conducive to achieving realism, and I find that I tend to use fewer layers of color than when working on paper or Pastelbord. Though many layers aren’t necessary on this surface, I sometimes like the effect of layering color to create complex colors and textures, so I will continue to also use Pastelbord and paper when deemed appropriate for the subject.